Shows & Tickets
A group for Los Angeles-based playwrights, The Writers’ Room is a product of the Geffen’s deep commitment to supporting new plays and specifically to fostering bold, relevant work by the vibrant artistic community of this city.
During a twelve-month residency (September 2025 – August 2026) a cohort of six selected playwrights/writing teams will attend in-person meetings at the Geffen once per month as they generate the first draft of a new play or musical. One to two playwrights share work at each meeting and receive feedback from their cohort in a forum facilitated by the Geffen’s Literary Manager & Dramaturg.
At the conclusion of the residency (September – December 2026), each playwright will have the opportunity to further develop their completed draft in a culminating reading produced by the Geffen. Readings are conducted on the LORT Staged Reading Guidelines, which allow for up to 35 hours of rehearsal and an invited audience.
Writers’ Room playwrights receive a $2,000 stipend for their participation in the program, as well as a $1,000 fee during their reading week. A meal and parking are provided at each meeting. Playwrights will also receive complimentary tickets to all Gil Cates Theater shows (and to Audrey Skirball Kenis Theater shows, subject to availability) at the Geffen during their Writers’ Room tenure.
When considering applications, the Geffen staff considers the strength of each applicant’s writing sample and project proposal as well as the fundamental importance of having a dynamic range of identities, creative approaches, and lived experiences represented within the Writers’ Room cohort. Playwrights of all writing styles, races, ethnicities, gender identities and expressions, abilities, ages, and career levels are encouraged to apply.
Yes, the Writers’ Room is open to first-time playwrights. However, please note that the Writers’ Room is not an educational workshop and does not provide instruction on playwriting. All writing time is self-directed. If you are a first-time playwright, we encourage you to think carefully about whether the program will provide the support you need to write your first play.
Additionally: please note that we do NOT accept screenplays as writing samples. If you are applying as a first-time playwright, you may submit a writing sample (15 pages max) of poetry, essays, and/or fiction. Poetry, essays, and fiction should be double-spaced and in 12-point font, with one-inch margins.
If you are working on a piece of theater that involves music—be it a traditional musical, a play with music, or a song cycle—you are welcome to apply. However, please keep in mind that you will be receiving feedback from peers who may not share your musical expertise/vocabulary.
Culminating Writers’ Room readings are produced under the LORT Staged Reading Guidelines, which allow for up to 35 hours of rehearsal. We recognize that it can take 35 hours just to learn a score, and so we encourage musical-writing teams to use rehearsal time in whatever way is most useful to the show’s development within those parameters—presenting an excerpt of the piece, presenting a read with recorded demos, or something else.
Yes. We are open to writing teams of up to three people.
No. You may submit one project only, and may submit only once (ie, if you are submitting a co-written piece, you may not submit a second project as a solo writer).
The Writers’ Room is intended to catalyze and support the writing of a new play and to foster a sense of community among LA writers. The program is not a competition or audition for inclusion in a Geffen season.
While past projects from the Writers’ Room have occasionally gone on to additional development and production at the Geffen, we consider any future path of development a success, including at other theaters. The Geffen does not hold any option (or expectation) to produce work created in the Writers’ Room after its completion.
With all of this in mind, we encourage playwrights to let go of “producibility” or “fit” for an upcoming Geffen season as guiding principles for their project proposal. Instead, we encourage you to write the proposal that scares you—the play that you might not finish without a supportive community and a deadline.
Meetings will take place once per month (plus one additional introductory meeting and one additional closing meeting) on Monday evenings (dates TBD) at Geffen Playhouse. The Geffen’s address is 10886 Le Conte Ave, Los Angeles, CA 90024.
The program dates are September 2025 – August 2026, with culminating readings at the Geffen scheduled from September 2026 – December 2026.
Writers are expected to attend every meeting in person. Exceptions to the in-person attendance policy will be made for emergencies only.
We consult with the Writers’ Room cohort to create the annual meeting schedule and make best efforts to work around existing conflicts. Please note that if you have extended plans to be away from Los Angeles for work or leisure during the program dates, you will be expected to make your own travel arrangements to return for in-person meetings.
Please email all questions regarding The Writers’ Room to Literary Manager & Dramaturg Olivia O’Connor at .
QUESTIONS?
Olivia O'ConnorLiterary Manager & Dramaturg
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